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- Drums and Percussion (+)
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- Balalaika and piano (4)
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- English Horn (21)
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- Flugelhorn (6)
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- Non-European instruments (45)
- Vocals
- Vocals solo (58)
- Vocals, polyphonic a capella (61)
- Vocals and Piano (221)
- Vocals and Guitar (54)
- Vocals and other Instruments (348)
- Voices and Instrument (41)
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Vocals and other Instruments
ISBN 978-3-7333-2487-2
ISMN M-2032-5160-6
Product No. NM3218
in preparation
Steffen Schleiermacher (Editor)
Wolfgang Heisig / Steffen Schleiermacher,
Wolfgang Heisig: Zehn Klaviertöne (seit 1980)
arranged for small ensemble with voice by Steffen Schleiermacher
Klaus Ospald
Wolkenwald, „lokale Unebenheiten“, Büchners Schatten
Epilog aus dem Zyklus "schöne welt schöne welt" nach einem Gedicht von Konrad Bayer und Gedichtzeilen von Arno Schmidt
for string quartet and female singer
Hans-Joachim Hespos
wuniof‘k
für Sopran und Flöte (auch Pikkolo), Oboe (auch Englischhorn), B-Klarinette (auch in es, auch Bassklarinette), Fagott – Horn, C-Trompete (auch Flügelhorn), Tenorbassposaune – Pianoforte, Pauke in D – 2 Violinen, 1 Viola, 1 Violoncello, 1 Kontrabass (5-Saiter)
C. René Hirschfeld
Über den Abgrund
Text: Friedrich Hölderlin
for voice, electronics and percussion ad lib.
ISMN 979-0-2032-6531-3
Product No. NM3887n
price on request
Claude Lenners
Yololiton
(dactylopius coccus / cochinelle)
Text (Nahuatl): Ernest Colbach
for soprano, clarinet and guitar (all 3 players doubling ocarina)
ISBN 978-3-7333-3143-6
ISMN 979-0-2032-6393-7
Product No. NM3767
in preparation
Hans-Joachim Hespos
YUKO POEM 1
für den sopran yuko kakuta und das ensemble Interzone perceptible (elektrifiziertes akkordeon, e-bass fretless) und elektroAkustische Wandler
Hans-Joachim Hespos
za’ khani
Musiktheater für sechs Frauen-, vier Männerstimmen, Schrottner, Oboe, Klarinette, Horn, Posaune, Tuba, Viola, Violoncello, Kontrabass, 2 Schlagzeuger
Thomas Buchholz
Zwei Adventslieder
Macht hoch die Tür [Melody: Halle (1704)]. Wie soll ich dich empfangen [Melody: Johann Crüger (1648)]
arranged for three male voices (T, Bar, B) and piano by Thomas Buchholz
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